The Bronx Masquerade is a young adult novel by Nikki Grimes that was published in 2002. The novel tells the story of a group of high school students in the Bronx who participate in a poetry workshop led by their English teacher, Mr. Ward. The workshop becomes a safe space for the students to express themselves and share their unique perspectives and experiences.
The novel is told from the perspective of a diverse group of students, including Tyrone, a talented rapper struggling with the expectations of his family and community; Wanda, a shy and sensitive girl who finds her voice through poetry; and Juan, a baseball player who is struggling with his identity as a Puerto Rican American. Each of the students has their own unique story and challenges, and through the workshop, they are able to connect with each other and support each other in their struggles.
One of the central themes of the novel is the power of self-expression and the importance of finding one's voice. Mr. Ward encourages the students to be open and honest in their poetry, and as they begin to share their work with each other, they find that they are not alone in their struggles and that they can find strength and support in each other.
Another theme of the novel is the importance of diversity and inclusivity. The students in the workshop come from a variety of cultural backgrounds and have different experiences and perspectives, and Mr. Ward encourages them to celebrate their differences and learn from each other. The students begin to see the value in understanding and appreciating different cultures and experiences, and they learn to embrace their own identities.
The Bronx Masquerade is a powerful and inspiring story about the importance of self-expression and the transformative power of art. It encourages readers to find their own voices and to embrace their unique identities, and it promotes the values of diversity and inclusivity. It is a must-read for anyone who is looking for a novel that is both thought-provoking and uplifting.
WATSON & THE SHARK
At the left side of the painting, there are lightening bolts. His election to full membership occurred in 1783. The Morning Chronicle and London Advertiser published a letter 30 years after the attack telling the true story. Accessed April 15, 2015. Originally, Copley wanted the child to have an extreme fear in his eyes, but decided upon giving him an expression of bravery. Therefore, it has become a very popular oil painting in its own right, aside from being historic. It is for the most part a romantic painting, but has renaissance influences, as well as biblical.
The picture is highly romanticized with the gory detail of the injuries hidden beneath the waves. In order to enhance the emotional drama of this event, Copley referenced a well-known treatise of facial expressions. Image courtesy National Gallery of Art Robert Dighton Jr. However, he went on to have a distinguished career, including becoming a Lord Mayor of London. Copley, a transplanted Bostonian living in London, had never visited Cuba, and he was forced to base his depiction of the Havana harbor on engraved prints—not all of which were accurate.
Behind that, there is a person on a ladder, carrying an item on their back. He had never seen a shark and therefore, the one in the painting looks drastically different to the actual image of such a creature. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures. Watson was rescued before the third attack by his shipmates. Within this painting, the view is of a beach, where most of the community is enjoying a day at the beach but they have encountered a bleeding almost dead shark on the sands of the beach. Perspectives in Biology and Medicine. No one really knew what a shark looked like at the time.
Watson and the Shark: "a most usefull Lesson to Youth"
Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Michael the Archangel in Huejotzingo The Convento of San Nicolás de Tolentino, Actopan, Hidalgo A new Jerusalem in the Americas—the convento of Acolman Murals from New Spain, San Agustín de Acolman Atrial Cross at Acolman Frontispiece of the Codex Mendoza Images of Africans in the Codex Telleriano Remensis and Codex Azcatitlan The Florentine Codex Bernardino de Sahagún and Indigenous collaborators, Florentine Codex Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy Featherworks Featherworks: The Mass of St. When we see individuals conquer unfathomable terrors, we entertain the idea that we too could persevere if faced with a similar challenge. The gory details of these narratives shock and excite us, much the way they did audiences in 1778. Diction In The Fish 373 Words 2 Pages The use of imagery in this poem gives a lot of insight to the life of the fish. The shark attacks detail , John Singleton Copley, Watson and the Shark, 1778, oil on canvas, 182. Slightly tucked behind the three boat figures on the right side.
Another connection Bauer makes with symbolism in this short story is the symbol of the black pants that Beth is looking for. Inheritance Of The Grand Canal Venice Summary 1159 Words 5 Pages The painting itself seems to depict the Grand Canal in Venice, however Moran does not really make the river break off to any other canal. This painting also is a somewhat progressive statement for its time. The painting is filled with many emotions such as drama, fear, tragedy, and action. This painting is based on the true story of an attack that took place in 1749.
Retrieved 27 June 2011. The Archibald Motleys Art Analysis 877 Words 4 Pages In addition to that, on the wall shows a portrait of his grandmother's former slave family member. Watson and the Shark was inspired by an event that took place in Havana, Cuba, in 1749. He was not rescued until the third attempt by the shark, which is the subject of the painting. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. A Black sailor forms the apex of the composition, holding a rope for the victim who later famously defended the slave trade in the West Indies.
John Singleton Copley, Watson and the Shark, 1778. The painting caused a sensation at the Royal Academy, where it was exhibited in 1778 under the exceptionally explanatory title A boy attacked by a shark, and rescued by some seamen in a boat; founded on a fact which happened in the harbour of the Havannah. Retrieved 24 October 2018. The bridge is found on the right side of the painting. Copley was able to give us an exceedingly frightening painting, but included facial articulation that gave the audience hope. The English boy Brook Watson, then a 14-year-old cabin boy, lost his leg in the attack.
Copley has never been to Havana, and he has never seen a shark. Durand, Kindred Spirits George Caleb Bingham Country Politician The County Election Frederic Church, The Natural Bridge, Virginia Blythe, Justice Thomas Hovenden, The Last Moments of John Brown Eastman Johnson, A Ride for Liberty — The Fugitive Slaves Lilly Martin Spencer, The Home of the Red, White, and Blue Samuel Colman, Jr. Handicapped individuals at that time period were also looked down upon, and by painting such a piece, there will be a discovery of one physically disabled person who went beyond what was expected at that era. One really feels for these characters and especially the boy in the water. In interviews, survivors often describe themselves as having been in the wrong place at the wrong time; unfortunate victims of chance who were freed from certain death by their own strength or by the bravery of others, who nonetheless persevere and live happy and full lives.
However, his leg had to be amputated below the knee. If the Cat continues with this balancing act and slips, the items may fall, causing the house to become a mess, but the dander to the Fish is more substantial. The first part, which extends until 1774, tells the story of his American career, one that primarily unfolds in Boston with a productive side trip to New York. This definition not only acts as exposition, but also foreshadows how the shark eventually dies in the end of the novel. Already an Associate of the Royal Academy of Arts when it was exhibited at the annual salon in the spring of 1778, he was elected to full membership less than a year later. Despite the fact that the changes to historic art were a positive, art has now reached a pinnacle that is so accepting that it is hard to recognize the amazing from rubbish. Although in retrospect, we see that these slight adjustments have become commonplace, for the time period they were insanely radical.