To wordsworth shelley. To Wordsworth: Poem by P. B. Shelley 2022-11-05
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William Wordsworth and Percy Bysshe Shelley are two of the most celebrated poets of the Romantic movement, which took place in the late 18th and early 19th centuries in Europe. Both poets were known for their unconventional and rebellious spirit, as well as their love of nature and their belief in the power of the imagination.
Wordsworth was born in 1770 in the Lake District of England, and he is best known for his poems about the beauty of the natural world and the emotional power of personal experience. He believed that nature had a profound impact on the human soul, and he sought to capture this in his poetry through the use of simple, natural language and vivid imagery. Wordsworth was also deeply interested in the lives and experiences of common people, and he often wrote about the struggles and joys of everyday life.
Shelley, on the other hand, was born in 1792 and is perhaps best known for his radical political views and his unorthodox personal life. He was a vocal advocate for social and political reform, and his poetry often reflected this passion. Like Wordsworth, Shelley was deeply inspired by nature, and he saw it as a source of inspiration and enlightenment. However, he also believed that nature had a darker, more mysterious side, and he explored this in his poetry through the use of vivid, imaginative language and imagery.
Despite their differences in style and subject matter, both Wordsworth and Shelley were deeply committed to exploring the human experience and the natural world in their poetry. They both believed in the power of the imagination to reveal deeper truths about the world and the human condition, and they sought to capture this in their work. Their poetry continues to be celebrated today for its beauty, originality, and enduring relevance.
To Wordsworth: Poem by P. B. Shelley
Nature, as a theme, had been banished from English poetry by eighteenth century poets of the school of Pope. The Cloud, Ode to the West Wind, To A Skylark, The Sensitive Plant are some of his great nature poems. For many Romantics, God was no longer a separate, personal being that controlled nature from above, but merely the force or energy of the universe itself. Wordsworth and Coleridge had in their major work of 1798, the Lyrical Ballads, attempted to write in "the language of conversation in the middle and lower classes of society" to express "a natural delineation of human passions. In the early 1300s, Petrarch composed his Italian Rime Sparse, a series of 366 poems devoted to his love for Laura, a married woman who continually rejected his romantic overtures. He situates Wordsworth as the reigning king of his time by comparing him to a bright star, a solid fortress and a lion whose voice was enjoyed by the multitudes.
But, like the use of the word "common" earlier in the poem, the "poverty" also refers to Wordsworth's choice to simplify the language of his verse, to use the language of the poor and the workers. Like his friends Samuel Taylor Coleridge and Robert Southey, Wordsworth had been a political radical in his youth, supporting the republican ideals of the French Revolution. At the same time, although nature has creative power over Shelley because it provides inspiration, he feels that his imagination has creative power over nature. Shelley too feels these woes which are common to all mankind. This gradual re-awakening of an interest in nature reached its climax in the poetry of Wordsworth, Coleridge, shelley, Keats etc. Buy Study Guide Poet of Nature, thou hast wept to know That things depart which never may return; Speaker The poem begins with a rhetorical figure known as apostrophe, an address to a person or thing not present, a figure that Shelley utilizes frequently.
He ends by voicing his true grievance with the older poet. Thy soul was like a Star, and dwelt apart: Thou hadst a voice whose sound was like the sea: Pure as the naked heavens, majestic, free, So didst thou travel on life's common way, In cheerful godliness; and yet thy heart The lowliest duties on herself did lay. In the thought of the Enlightenment, which preceded the Romantics and exerted a deep influence on them, Nature had come to replace God at the center of the universe. Such a person of high inspiration and nobility deserted all this, for the sake of money. While Wordsworth describes natural sights in a series of vivid images, Shelley's descriptions are frequently vague and confused. The pictures are artificial and stereotyped.
But with judicious word choice, Shelley then recasts Wordsworth as a lonely star whose light shone in the past, a fortress constructed of rocks subject to weakening and crumbling, a man roaring to crowds suffering blindness. . As a young poet, Shelley had deeply admired the work of Wordsworth. He then recollects Wordsworth's sunny days as a successful guide. He's expressing a shared solidarity with "the Commons"—everyday working people. Wordsworth's political shift to conservatism in The Excursion was experienced by Percy Shelley—and by Mary, who shared his political radicalism—as a deeply personal betrayal.
His fall disappoints Shelley and he grieves over that. Wordsworth looks upon Nature as an ultimate reality, but Shelley sees in it "the veil of the unseen and the types and auguries of a better life on earth. In this sonnet Shelley speaks for his generation when he rebukes the master for his decline. The calm of nature appeals to Wordsworth but Shelley was more attracted by the wild and uncontrollable in nature. But to Wordsworth it is Thought that teaches duty, to Shelley it is Love expressing itself in beauty.
For Shelley, both of these things were honorable. To Wordsworth by Percy Bysshe Shelley Poetry Foundation agenda angle-down angle-left angleRight arrow-down arrowRight bars calendar caret-down cart children highlight learningResources list mapMarker openBook p1 pin poetry-magazine print quoteLeft quoteRight slideshow tagAudio tagVideo teens trash-o The life and works of Percy Bysshe Shelley exemplify English Romanticism in both its extremes of joyous ecstasy and brooding despair. Childhood, youth, friendship and love's first glow pass away like sweet dreams leaving the dreamer to mourn. In the Romantic era, Wordsworth was among the first poets to revive the genre, often using themes of nature as his inspiration. In 1814, William Wordsworth published The Excursion. But it may be noted that naturalism applies only to one aspect, though dominant enough, of romanticism and not the whole of that complex movement; hence it is now somewhat unduly discredited.
To Wordsworth by Percy Bysshe Shelley Analysis & Poem
Thou wert as a lone star, whose light did shine On some frail bark in winter's midnight roar: Thou hast like to a rock-built refuge stood Above the blind and battling multitude: In honored poverty thy voice did weave Songs consecrate to truth and liberty,-- Deserting these, thou leavest me to grieve, Thus having been, that thou shouldst cease to be. These two lines are a classic example of the way Shelley brilliantly used the line-break, or enjambment, in his poetry. Because Wordsworth has deserted his commitment to "truth and liberty," expressed in such poems as the "Intimations" ode and in his "Sonnets to Liberty," Shelley is left to grieve the loss of what had been both a guiding light and a refuge from a seemingly hopeless world. Loss and Grief Wordsworth is one of the great poets of grief and loss. One loss is mine Which thou too feel'st, yet I alone deplore.
Shelley felt that his decline was due to his adoption of increasingly conservative opinions in politics and his acceptance of government patronage in '1813. This image sets the stage for Shelley to move his attack on Wordsworth from the literary to the political, as he references the poems the young Wordsworth wrote honoring the radical liberalism of the underclass fighting for truth and liberty. Rousseau was the first to perceive the harmonious relation between man and nature. Shelley, always notorious for manipulating poetic form, inverts the traditional sonnet form that Wordsworth used, writing a sestet and octave rather than octave-sestet. Another great nature poet of the age is Shelley.
