The tempest script. The Tempest Script: Shakespeare's The Tempest Full Text 2022-10-18
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The Tempest is a play by William Shakespeare that was first performed in 1611. It is one of Shakespeare's later plays, and is considered by many to be one of his greatest works. The play is set on a remote island, where the main character, Prospero, is the rightful Duke of Milan. However, he has been overthrown and banished to the island by his brother Antonio, who now holds the position of Duke.
The play opens with a violent storm, which serves as a metaphor for the tumultuous events that have led to Prospero's exile. On the island, Prospero is accompanied by his daughter Miranda, and a spirit named Ariel, who he has control over due to a previous agreement.
As the play progresses, a number of other characters arrive on the island, including Antonio, who has come to the island with a group of conspirators. They include Sebastian, the King of Naples, and Alonso, the King of Naples' brother. Also present on the island are Alonso's son Ferdinand, and Gonzalo, an honest and good-hearted counselor to the King.
As the characters interact and their relationships are revealed, it becomes clear that the tempest was not a natural occurrence, but rather a result of Prospero's magical powers. He has been manipulating events on the island in order to bring about a resolution to the conflict between himself and his brother.
Through the course of the play, Prospero confronts his brother and the other conspirators, ultimately leading to their repentance and reconciliation. He also helps to facilitate the relationship between Miranda and Ferdinand, which ultimately leads to their marriage.
In the end, Prospero decides to give up his magical powers and return to Milan, where he is reconciled with his brother and restored to his rightful position as Duke. The play ends with Prospero reflecting on the events that have taken place and the lessons he has learned from them.
Overall, The Tempest is a play that explores themes of power, forgiveness, and the importance of understanding and reconciling with one's past. It is a poignant and thought-provoking work that continues to be enjoyed by audiences around the world.
The Tempest: Entire Play
Another part of the island. Do not approach Till thou dost hear me call. ANTONIO Go sleep, and hear us. ARIEL Full fathom five thy father lies. Poor souls, they perished. STEPHANO Give me thy hand. MIRANDA O, the heavens! What makes it more remarkable is that it is Shakespeare went on to highlight the historical context in The Tempest.
You are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more; use your authority: if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap. No hope that way is Another way so high a hope that even 275 Ambition cannot pierce a wink beyond, But doubt discovery there. Have you a mind to sink? I come 225 To answer thy best pleasure. GONZALO This Tunis, sir, was Carthage. Enter CALIBAN, STEPHANO, and TRINCULO, all wet CALIBAN Pray you, tread softly, that the blind mole may not Hear a foot fall: we now are near his cell. Therefore, Prospero is shown as a skillful chess player by thinking through every step, beginning with the shipwreck. PROSPERO So, slave, hence.
We have lost your son, I fear, forever. Since thou dost give me pains, Let me remember thee what thou hast promised, Which is not yet performed me. Thence I have followed it, Or it hath drawn me rather. SEBASTIAN Please you, sir, Do not omit the heavy offer of it. .
The Tempest Script: Shakespeare's The Tempest Full Text
It is called the Thank you for reading this article! Boatswain Work you then. PROSPERO O, a cherubin Thou wast that did preserve me. What shall I do? Moreover, it was probably one of the last plays that Shakespeare wrote. Stand fast, good Fate, to his hanging: make the rope of his destiny our cable, for our own doth little advantage. What is it thou didst say? To ebb Hereditary sloth instructs me.
ANTONIO Where is the Master, boatswain? Thy groans Did make wolves howl, and penetrate the breasts Of ever-angry bears. I hear it now above me. PROSPERO 60 Thou hadst, and more, Miranda. Therefore, the audience can find out that Prospero can possess and use his magic power only thanks to the books. The imagery was essential at first when the play just came out since the stage sets and costumes were far from impressive. Obey, and be attentive.
The Tempest Analysis: Literary Devices, Symbols, Setting, & Genre
BOATSWAIN Do you not hear him? ARIEL Silver I there it goes, Silver! ANTONIO We are merely cheated of our lives by drunkards. Not only everything happens in one place, but also in a short time. Boatswain Lay her a-hold, a-hold! It seldom visits sorrow; when it doth, It is a comforter. PROSPERO I pray thee, mark me. I am ready now. Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others GONZALO ALONSO SEBASTIAN ANTONIO SEBASTIAN GONZALO SEBASTIAN GONZALO SEBASTIAN GONZALO SEBASTIAN GONZALO ANTONIO ALONSO GONZALO SEBASTIAN ANTONIO SEBASTIAN ANTONIO SEBASTIAN ANTONIO SEBASTIAN ADRIAN SEBASTIAN ADRIAN SEBASTIAN ADRIAN ANTONIO ADRIAN ANTONIO SEBASTIAN ADRIAN SEBASTIAN ANTONIO GONZALO ANTONIO SEBASTIAN GONZALO ANTONIO SEBASTIAN ANTONIO SEBASTIAN GONZALO SEBASTIAN GONZALO ANTONIO SEBASTIAN GONZALO SEBASTIAN ADRIAN GONZALO ANTONIO SEBASTIAN ADRIAN GONZALO ADRIAN GONZALO SEBASTIAN ANTONIO SEBASTIAN ANTONIO GONZALO ANTONIO GONZALO ANTONIO SEBASTIAN ANTONIO GONZALO ANTONIO GONZALO ALONSO FRANCISCO ALONSO SEBASTIAN ALONSO SEBASTIAN ALONSO GONZALO SEBASTIAN ANTONIO GONZALO SEBASTIAN ANTONIO GONZALO ANTONIO SEBASTIAN GONZALO SEBASTIAN GONZALO SEBASTIAN ANTONIO GONZALO SEBASTIAN ANTONIO GONZALO SEBASTIAN ANTONIO GONZALO ALONSO GONZALO ANTONIO GONZALO ANTONIO SEBASTIAN GONZALO Enter ARIEL, invisible, playing solemn music SEBASTIAN ANTONIO GONZALO ANTONIO All sleep except ALONSO, SEBASTIAN, and ANTONIO ALONSO SEBASTIAN ANTONIO ALONSO ALONSO sleeps.
Dear, they durst not, So dear the love my people bore me, nor set 170 A mark so bloody on the business, but With colors fairer painted their foul ends. Hark, now I hear them: ding dong bell. Our revels now are ended. I myself could make A chough of as deep chat. I find Not myself disposed to sleep. BOATSWAIN 50 Lay her ahold, ahold! The staging of this scene looks almost perfect.
We are such stuff As dreams are made on, and our little life Is rounded with a sleep. TRINCULO Monster, I do smell all horse-piss; at which my nose is in great indignation. PROSPERO Spirit, We must prepare to meet with Caliban. He draws, and is charmed from moving. ARIEL Yes, Caliban, her son. Some food we had, and some fresh water, that A noble Neapolitan, Gonzalo, Out of his charity, who being then appointed Master of this design, did give us, with 195 Rich garments, linens, stuffs, and necessaries, Which since have steaded much. GONZALO Well, I have done.
Will you laugh me asleep? ANTONIO 215 We two, my lord, Will guard your person while you take your rest, And watch your safety. PROSPERO Let them be hunted soundly. No, it begins again. Juno and Ceres whisper, and send Iris on employment PROSPERO Sweet, now, silence! PROSPERO O, was she so? On a ship at sea: a tempestuous noise Enter a Master and a Boatswain Master Boatswain Master Exit Enter Mariners Boatswain Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others ALONSO Boatswain ANTONIO Boatswain GONZALO Boatswain GONZALO Boatswain Exit GONZALO Exeunt Re-enter Boatswain Boatswain A cry within Re-enter SEBASTIAN, ANTONIO, and GONZALO SEBASTIAN Boatswain ANTONIO GONZALO Boatswain Enter Mariners wet Mariners Boatswain GONZALO SEBASTIAN ANTONIO GONZALO A confused noise within: 'Mercy on us! Believe me, sir, 490 It carries a brave form. Enter a Shipmaster and a Boatswain.
