This image suggests that the Mower is forcing the meadows to reflect his own mind, since it is not occurring naturally. And in your gaudy May-games meet While I lay trodden under feet? But these, while I with Sorrow pine, Grew more luxuriant still and fine; That not one Blade of Grass you spy'd, But had a Flower on either side; When Juliana came, and She What I do to the Grass, does to my Thoughts and Me. Unthankful Meadows, could you so A fellowship so true forego, And in your gawdy May-games meet, While I lay trodden under feet? Upon Appleton House develops a brilliantly extended metaphor of the horticultural battleground, producing one of the most unusual and moving anti-war meditations of any age. While the Mower asserts that the harmony between his mind and the meadows has disappeared, in another perspective, he is now in the same position that the meadows have always occupied beneath his scythe. The final couplet of each stanza is a refrain, which repeats the same two lines with some slight modifications. The poem is divided into five stanzas, each composed of three rhyming couplets of iambic tetrameter.
After starting his poem with a positive, joyful tone, the second stanza switches towards a melancholy-like feeling to accentuate the sadness that Marvell may be experiencing from Juliana not loving anymore. GradeSaver, 3 January 2014 Web. When Juliana came , and she What I do to the grass, does to my thoughts and me. I must quote his verses a little higher up, for they are full, as all of his serious poetry, was, of a witty delicacy. Unthankful meadows, could you so A fellowship so true forgo? Also this excerpt from Henry Wordsworth 1770-1850 in this sonnet: Great men have been among us; hands that penned And tongues that uttered wisdom - better hone: The later Sidney, Marvell, Harrington Young Vane, and others who called Milton friend.
And in your gaudy May-games meet While I lay trodden under feet? For Juliana comes, and She What I do to the Grass, does to my Thoughts and Me. And thus, ye meadows, which have been Companions of my thoughts more green, Shall now the heraldry become With which I shall adorn my tomb; For Juliana comes, and she What I do to the grass, does to my thoughts and me. This is an image of harmony and accord between the Mower and his meadows, but the poem goes on to slowly destabilize this harmony through a series of images depicting discord. But what you in compassion ought, Shall now by my revenge be wrought: And flow'rs, and grass, and I and all, Will in one common ruine fall. The transition is evident through the tone change that goes along with it. My Mind was once the true survey Of all these Medows fresh and gay; And in the greenness of the Grass Did see its Hopes as in a Glass; When Juliana came, and she What I do to the Grass, does to my Thoughts and Me. His hopes have similarly been decimated.
This situation is a total reversal of the harmony that the Mower recalls in stanza one. My Mind was once the true survey Of all these Medows fresh and gay; And in the greenness of the Grass Did see its Hopes as in a Glass; When Juliana came, and she What I do to the Grass, does to my Thoughts and Me. And thus, ye meadows, which have been Companions of my thoughts more green, Shall now the heraldry become With which I shall adorn my tomb; For Juliana comes, and she What I do to the grass, does to my thoughts and me. For Juliana comes, and she What I do to the grass, does to my thoughts and me. Images of wounding, physical and psychological, recur in the Mower quartet. When Juliana came, and she What I do to the grass, does to my thoughts and me.
For Juliana comes, and she What I do to the grass, does to my thoughts and me. But these, while I with sorrow pine, Grew more luxuriant still and fine, That not one blade of grass you spy'd But had a flower on either side; When Juliana came, and she What I do to the grass, does to me thoughts and me. But what you in Compassion ought, Shall now by my Revenge be wrought: And Flow'rs, and Grass, and I and all, Will in one common Ruine fall. And thus, ye Meadows, which have been Companions of my thoughts more green, Shall now the Heraldry become With which I shall adorn my Tomb; For Juliana comes, and She What I do to the Grass, does to my Thoughts and Me. My mind was once the true survey Of all these meadows fresh and gay, And in the greenness of the grass Did see its hopes as in a glass; When Juliana came, and she What I do to the grass, does to my thoughts and me. Unthankful Meadows, could you so A fellowship so true forego, And in your gawdy May-games meet, While I lay trodden under feet? And thus, ye Meadows, which have been Companions of my thoughts more green, Shall now the Heraldry become With which I shall adorn my Tomb; For Juliana comes, and She What I do to the Grass, does to my Thoughts and Me.
However, the poem suggests that the Mower's desire for Juliana has slowly driven him into violent madness, as evidenced by his desire for revenge against the meadows and the apocalyptic sensibility that leads him further and further away from peaceful harmony with nature. In this case, Marvell is the lawn that is being cut or Juliana's love for Marvell by the yard keeper, who is Juliana. In the beginning of his writing, their is an evident transition between positive and negative reactions towards Juliana. And in your gaudy May-games meet While I lay trodden under feet? For Juliana comes, and she What I do to the grass, does to my thoughts and me. Unthankful meadows, could you so A fellowship so true forgo, And in your gawdy May-games meet, While I lay trodden under feet? For Juliana comes, and She What I do to the Grass, does to my Thoughts and Me.
When Juliana came , and She What I do to the Grass, does to my Thoughts and Me. The connection between the Mower and nature is strikingly evident in the first stanza, in which the Mower remembers a time when his mind perfectly reflected the beauty and greenness of the grass he mows. And thus, ye meadows, which have been Companions of my thoughts more green , Shall now the heraldry become With which I shall adorn my tomb ; For Juliana comes, and she What I do to the grass, does to my thoughts and me. Unthankful meadows, could you so A fellowship so true forgo? For Juliana comes, and she What I do to the grass, does to my thoughts and me. The meadows are the subject of the second stanza, flourishing with new spring grass and a proliferation of wild flowers. In stanza three, the Mower goes on to bitterly accuse the meadows of forgoing the fellowship they once shared. When Juliana came, and she What I do to the grass, does to my thoughts and me.
The Mower's Song My mind was once the true survey Of all these meadows fresh and gay, And in the greenness of the grass Did see its hopes as in a glass; When Juliana came, and she What I do to the grass, does to my thoughts and me. My mind was once the true survey Of all these meadows fresh and gay ; And in the greenness of the grass Did see its hopes as in a glass ; When Juliana came, and she What I do to the grass, does to my thoughts and me. The Mower continues to express his anger and threatens to take revenge upon the meadows for betraying him. Throughout the poem, Marvell compares his relationship to that of a yard keeper, and the lawn in which he trims. And thus, ye meadows, which have been Companions of my thoughts more green, Shall now the heraldry become With which I shall adorn my tomb; For Juliana comes, and she What I do to the grass, does to my thoughts and me.
But these, while I with sorrow pine, Grew more luxuriant still and fine ; That not one blade of grass you spied, But had a flow'r on either side; When Juliana came, and she What I do to the grass, does to my thoughts and me. . In stanza four, he claims that he will ruthlessly cut down every flower and blade of grass he encounters, razing the meadows' beauty so they will resemble the Mower's own downtrodden condition. Unthankful meadows, could you so A fellowship so true forgo? Buy Study Guide Summary: The speaker in the poem is a lovelorn Mower who sings about his passion and the frustrations it causes. But what you in compassion ought, Shall now by my revenge be wrought; And flow'rs, and grass, and I and all, Will in one common ruin fall. When Juliana came, and she What I do to the grass, does to my thoughts and me. When Juliana came , and She What I do to the Grass, does to my Thoughts and Me.