Tender Buttons is a collection of poems by Gertrude Stein, first published in 1914. The book is divided into three sections: "Objects," "Food," and "Rooms," and each section is comprised of a series of short, enigmatic poems that explore the theme of the section. The "Food" section, in particular, contains a series of poems that focus on food and eating, and these poems offer a unique and thought-provoking perspective on the subject.
One of the key themes in the "Food" section of Tender Buttons is the way that food can bring people together. In the poem "Meat," Stein writes, "Meat is not only what is before you, it is also a very good way of introducing something else." This suggests that food is not just a physical substance, but also a social and cultural concept that can be used to create connections and facilitate communication. Food has the ability to bring people together around the dinner table, and it can serve as a way of sharing experiences and building relationships.
Another theme that emerges in the "Food" section of Tender Buttons is the way that food can be used to express identity and individuality. In the poem "Tomatoes," Stein writes, "Tomatoes are a little food and they are always seen to be a little food because they have a little yellow in them and they have a little red in them." This description of tomatoes highlights their colorful and vibrant nature, and suggests that food can be used to express personality and personal style. By choosing certain foods and preparing them in particular ways, individuals can communicate their unique identities and preferences to the world around them.
Finally, the "Food" section of Tender Buttons also explores the way that food can be used to evoke memories and emotions. In the poem "Radishes," Stein writes, "Radishes are red and the outside of them is white and the inside of them is red and radishes are very good to eat and very pretty." This description of radishes emphasizes their visual appeal and their ability to stimulate the senses, and suggests that food can be a powerful tool for evoking memories and emotions. Whether it is a comforting childhood dish or a special occasion meal, food has the ability to transport us back in time and connect us with our past experiences.
In conclusion, the "Food" section of Tender Buttons offers a unique and thought-provoking perspective on the subject of food. Through its exploration of themes such as the social aspect of food, the expression of individuality through food, and the power of food to evoke memories and emotions, the section offers a rich and nuanced understanding of the role that food plays in our lives.
Tender Buttons Food Summary
A separation is not tightly in worsted and sauce, it is so kept well and sectionally. A canoe is orderly. A can experiment is that which makes a town, makes a town dirty, it is little please. This shows the disorder, it does, it shows more likeness than anything else, it shows the single mind that directs an apple. It is no use to cause a foolish number. The sooner there is jerking, the sooner freshness is tender, the sooner the round it is not round the sooner it is withdrawn in cutting, the sooner the measure means service, the sooner there is chinking, the sooner there is sadder than salad, the sooner there is none do her, the sooner there is no choice, the sooner there is a gloom freer, the same sooner and more sooner, this is no error in hurry and in pressure and in opposition to consideration. A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing.
So then the sound is not obtrusive. All the standards have steamers and all the curtains have bed linen and all the yellow has discrimination and all the circle has circling. Pain soup, suppose it is question, suppose it is butter, real is, real is only, only excreate, only excreate a no since. Any space is not quiet it is so likely to be shiny. A whole is inside a part, a part does go away, a hole is red leaf.
A collection of all around, a signal poison, a lack of languor and more hurts at ease. A great source of inspiration for me personally. A light in the moon the only light is on Sunday. George is a mass. That is best wet.
The Project Gutenberg eBook of Tender Buttons, by Gertrude Stein.
Any little thing is a change that is if nothing is wasted in that cellar. This is a result. Please a pease and a cracker and a wretched use of summer. A letter which can wither, a learning which can suffer and an outrage which is simultaneous is principal. There is coagulation in cold and there is none in prudence. What is the custom, the custom is in the centre.
Tender Buttons: Objects, Food, Rooms by Gertrude Stein
Coal any coal is copper. Alas, alas the pull alas the bell alas the coach in china, alas the little put in leaf alas the wedding butter meat, alas the receptacle, alas the back shape of mussle, mussle and soda. A grey turn to a top and bottom, a silent pocketful of much heating, all the pliable succession of surrendering makes an ingenious joy. To shine, why not shine, to shine, to station, to enlarge, to hurry the measure all this means nothing if there is singing, if there is singing then there is the resumption. That is no color chosen. I just like the way the words sound. Suspect a single buttered flower, suspect it certainly, suspect it and then glide, does that not alter a counting.
To choose it is ended, it is actual and more than that it has it certainly has the same treat, and a seat all that is practiced and more easily much more easily ordinarily. By LITTLE WAX CANDLE A Farce in One Act by SALOON SONNETS: WITH SUNDAY FLUTINGS A Volume of Poems by TENDER BUTTONS: OBJECTS, FOOD, ROOMS Studies in Description by Gertrude Stein. A cup is neglected by being full of size. A sentence of a vagueness that is violence is authority and a mission and stumbling and also certainly also a prison. .
The Steiny Road to Operadom A book publishing trajectory: Cooking with Tender Buttons Food: table of contents
Tender colds, seen eye holders, all work, the best of change, the meaning, the dark red, all this and bitten, really bitten. Rectangular ribbon does not mean that there is no eruption it means that if there is no place to hold there is no place to spread. Room to comb chickens and feathers and ripe purple, room to curve single plates and large sets and second silver, room to send everything away, room to save heat and distemper, room to search a light that is simpler, all room has no shadow. This which is not why there is a voice is the remains of an offering. It was a pea, a pea pour it in its not a succession, not it a simple, not it a so election, election with. If it is absurd then it is leadish and nearly set in where there is a tight head. Then there is a way of earning a living.
Cut up alone the paved way which is harm. A wide action is not a width. It does not mean that there are tears, it does not mean that exudation is cumbersome, it means no more than a memory, a choice and a reestablishment, it means more than any escape from a surrounding extra. What choice is there when there is a difference. This is a monster and awkward quite awkward and the little design which is flowered which is not strange and yet has visible writing, this is not shown all the time but at once, after that it rests where it is and where it is in place. Luck in loose plaster makes holy gauge and nearly that, nearly more states, more states come in town light kite, blight not white.