Stop Kiss is a play by Diana Son that tells the story of Sara and Callie, two women living in New York City who fall in love and face backlash from their respective circles as a result. In this essay, I will provide a character analysis of both Sara and Callie, examining their motivations, personalities, and relationships with other characters in the play.
Sara is a schoolteacher who has recently moved to New York from St. Louis. She is kind, compassionate, and thoughtful, and is always willing to listen to others and offer support. She is also fiercely independent and determined to make her own way in the world. Sara is deeply in love with Callie, and is willing to risk everything to be with her. Despite the challenges they face, Sara remains committed to Callie and their relationship, and is willing to stand up for what she believes in.
Callie is a traffic reporter who is struggling to find her place in the world. She is smart and ambitious, but also has a tendency to be cautious and reserved. Callie is initially hesitant to pursue a relationship with Sara, but eventually gives in to her feelings and falls in love with her. Despite the risks involved, Callie is willing to stand up for her relationship with Sara and fight for their right to be together.
One of the most notable relationships in the play is the one between Sara and her mother, who is a conservative and traditional woman from St. Louis. Sara's mother is initially resistant to Sara's relationship with Callie, and struggles to accept the fact that her daughter is in love with another woman. However, as the play progresses, Sara's mother begins to see the strength and resilience of Sara and Callie's relationship, and ultimately comes to support them.
Another important relationship in the play is the one between Callie and her friend Peter, who is a police officer. Peter is initially supportive of Callie's relationship with Sara, but becomes increasingly concerned for her safety as the couple faces backlash and violence. Despite his reservations, Peter ultimately stands by Callie and helps to protect her and Sara.
Overall, Sara and Callie are complex and multi-faceted characters who are driven by their love for each other and their desire to be together. Despite the challenges they face, they remain committed to each other and refuse to let anything stand in the way of their relationship. Through their struggles and triumphs, Sara and Callie demonstrate the strength and resilience of love, and the importance of standing up for what you believe in.
“Stop Kiss” Character Analysis, Sample of Essays
When he arrives in the forest he finds that his familiarity with the language and customs of the court impress the simple shepherds and goatherds, so he uses this advantage to further his lustful designs on Audrey and marry her in what is typically described as a travesty of romantic love and marriage. He lovingly, if doggedly, reads to her. Opposing answers come from the attitudes of Peter, who is hostile to Callie, and from the understanding nurse. His work considered being very modern during that time. In shows such as The L Word, premièred in 2010, displayed female queer identity as following heterosexual gender dichotomy. Ultimately, I wanted to know why we were taking a few steps backward in this rehearsal. The character that I will portray is Callie.
Analysis Of Stop Kiss
We went slowly, very slowly as to make sure that everyone knew actors and 56 crew members which costume was to be on stage when, where the actor was to change, and how quickly the change had to happen. I felt that the first meeting with Sara 65 attacking the entire time instead of shifting to a softer verbal action once the shock of the moment had occurred. While I was working on those two scenes, Callie went out with our stage manager to work on lines in two other scenes. The story includes a random act of violence that disrupts the lives of its two principle …show more content… For Callie and Sara, this includes, among other things, their desire to live deeply. Nearly all of Mao's significant positive results will be in this CCP's rise to power, while Mao's ideal problems have come during a period if your CCP what food was in might. Winsley to simply offer more roles to the student body.
"Stop Kiss" Character Analysis
His death, along with that of James Byrd Jr. The design team consisted of four ETSU theatre faculty; Dr. What if they were never able to accurately portray representation of the queer community that I was so proud to be a part of? Recent works, such as Stop Kiss, have compelled our audiences to view stage works that confront scholarship and acts of performance with intersectionality. Vandenbroucke, author of Violence Onstage and Off: Drama and Society in Recent American Plays, claims violence is displayed as being either direct or indirect 2016, p. Cast: Kara Taylor Alberts Suzanne Boreel Matt Brewer Rebecca Crankshaw Ashley Gayle Alfie Webster Kylie Vilcins for Above The Stag Theatre presents STOP KISS by Diana Son by arrangement with Josef Weinberger Limited, London directed by Rafaella Marcus. His voice fit the character, and he could deliver very well on his sarcastic comments, and funny ad lib.
