Sidney defence of poesy. Philip Sidney, The Defence of Poesy (1595) (II.5) 2022-11-04

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An Apology for Poetry

sidney defence of poesy

English Essays: Sidney to Macaulay. . Nay, let any history be brought that can say any writers were there before them, if they were not men of the same skill, as Orpheus, Linus, and some other are named, who, having been the first of that country that made pens deliver of their knowledge to their posterity, may justly challenge to be called their fathers in learning. Poetry is the only thing that can create something out of nature and make it more beautiful than what was there originally Norton 1050. Immo vero etiam in senatum venit, etc. Reiman and Neil Fraistat.

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The Defense of Poesy by Sir Philip Sidney

sidney defence of poesy

But I am content not only to decipher him by his works—although works in commendation or dispraise must ever hold a high authority—but more narrowly will examine his parts; so that, as in a man, though all together may carry a presence full of majesty and beauty, perchance in some one defectious piece we may find a blemish. Nay, truly, it hath that praise that it wanteth not grammar. In the end, to be short—for the tale is notorious, and as notorious that it was a tale—with punishing the belly they plagued themselves. Doth not knowledge of law, whose end is to even and right all things, being abused, grow the crooked fosterer of horrible injuries? Well may you see. While in the mean time two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field? Love, I would thou couldst as well defend thyself as thou canst offend others! New York: Twayne Publishers, Inc.

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The Defence of Poesy Plato’s Republic and Sidney’s Defense

sidney defence of poesy

Through these main points, it is clear that The Defense of Poesy is written with Humanistic values and ideals. As part of his strategy against the threat of censorship, Sidney uses the structure of classical oration with its conventional divisions such as Arte of Rhetorique 1553 Harvey 2. But what needs more in a thing so known to all men? So doth the musician in times tell you which by nature agree, which not. Whom do not those words of Turnus move, the tale of Turnus having planted his image in the imagination? But because this second sort is wrapped within the fold of the proposed subject, and takes not the free course of his own invention, whether they properly be poets or no, let grammarians dispute, and go to the third, indeed right poets, of whom chiefly this question arises. He leaves little to no gaps in his arguments for critics to expose. He primarily stated that poetry has an indispensable place in the society as it is a reflection of history, ethics and philosophy.


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Sidney's Defense of Poesy

sidney defence of poesy

Poetry Versus Philosophy and History One of the most controversial arguments made by Sidney in The Defense of Poesy, was made in this section. They say the lyric is larded with passionate sonnets, the elegiac weeps the want of his mistress, and that even to the heroical Cupid hath ambitiously climbed. For indeed that is the principal, if not the only, abuse I can hear alleged. The Romans called poets vates and defined them as a diviner, foreseer, or a prophet. For some that thought this felicity principally to be gotten by knowledge, and no knowledge to be so high or heavenly as acquaintance with the stars, gave themselves to astronomy; others, persuading themselves to be demi-gods if they knew the causes of things, became natural and supernatural philosophers.


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Critical Analysis of Sir Philip Sidney's Defense of Poesy

sidney defence of poesy

His claim is that poets have the ability to remember and paint the past while philosophizing about the future. In the refutation section, Sidney neutralizes the four main criticisms that have been made of poetry in some form or another since antiquity. The School of Abuse. For poesy must not be drawn by the ears, it must be gently led, or rather it must lead; which was partly the cause that made the ancient learned affirm it was a divine gift, and no human skill, since all other knowledges lie ready for any that has strength of wit, a poet no industry can make if his own genius be not carried into it. While his literary career is well known, he himself did not think of himself of as a writer and only dedicated a small part of his life to writing.


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The Defence of Poesy by Sir Philip Sidney

sidney defence of poesy

If imaginative poetry is banned from being composed, the next Homer, Hesiod, and Musaeus will be lost, confined by the close mindedness of critics. Comedy, Sidney maintains, leads people towards virtue by representing human error and folly as absurd and worthy of scorn. Besides, one word so, as it were, begetting another, as, be it in rime or measured verse, by the former a man shall have a near guess to the follower. Throughout, Sidney attacks critics of poetry for being uncharitable readers, or confusing low-quality modern verse for true poetry. It was written partly in response to Stephen Gosson's The School of Abuse 1579 , which, dedicated to Sidney, attacked poetry on moral grounds. Plato found fault that the poets of his time filled the world with wrong opinions of the gods, making light tales of that unspotted essence, and therefore would not have the youth depraved with such opinions.

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The Defense of Poesy. Sir Philip Sidney. 1909

sidney defence of poesy

Infinite proofs of the strange effects of this poetical invention might be alleged; only two shall serve, which are so often remembered as I think all men know them. But every poetry entertains, delights and teaches the readers with a specific educational purpose. And why not so much the better, taking the best of both the other? After attending university, he traveled abroad for three years, where he became familiar with current political affairs and met political figures who would have a lasting influence on his life. Muchlike matter doth Livy record of Tarquinius and his son. Buy Study Guide Most likely written in 1579, but not published until 1595, Defence of Poesy is a new response to an old charge against the legitimacy of poetry, one that had been leveled against the literary arts at least since School of Abuse and Plays Confuted in Five Actions. For heretofore poets have in England also flourished; and, which is to be noted, even in those time when the trumpet of Mars did sound loudest. This section serves as the "Introduction" section of a classic, seven-part argument.

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The Defence of Poesy Section I Summary and Analysis

sidney defence of poesy

It's not short; don't celebrate when you have to read this one. The ancient marked the quantity of each syllable, and according to that framed his verse, the modern observing only number, with some regard of the accent, the chief life of it stands in that like sounding of the words, which we call rime. And yet I must say that, as I have just cause to make a pitiful defense of poor poetry, which from almost the highest estimation of learning is fallen to be the laughing-stock of children, so have I need to bring some more available proofs, since the former is by no man barred of his deserved credit, the silly 2 And first, truly, to all them that, professing learning, inveigh against poetry, may justly be objected that they go very near to ungratefulness, to seek to deface that which, in the noblest nations and languages that are known, hath been the first light-giver to ignorance, and first nurse, whose milk by little and little enabled them to feed afterwards of tougher knowledges. Sidney was made governor of Flushing in 1585; he was wounded in battle in the Netherlands and died of gangrene in 1586. Immo vero etiam in senatum venit, similiter cadences 86 Now for similitudes in certain printed discourses, I think all herbarists, all stories of beasts, fowls, and fishes are rifled up, that they may come in multitudes to wait upon any of our conceits, which certainly is as absurd a surfeit to the ears as is possible. But the historian, being captived to the truth of a foolish world, is many times a terror from well-doing, and an encouragement to unbridled wickedness.

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Defending Poetry Theme in An Apology for Poetry

sidney defence of poesy

Now of time they are much more liberal. A Defense of Poetry and Poems. But he comes to you with words set in delightful proportion, either accompanied with, or prepared for, the well-enchanting skill of music; and with a tale, forsooth, he comes unto you, with a tale which holds children from play, and old men from the chimney-corner, and, pretending no more, doth intend the winning of the mind from wickedness to virtue; even as the child is often brought to take most wholesome things, by hiding them in such other as to have a pleasant taste,—which, if one should begin to tell them the nature of the aloes or rhubarb they should receive, would sooner take their physic at their ears than at their mouth. The latter likewise with his rime strikes a certain music to the ear; and, in fine, since it doth delight, though by another way, it obtains the same purpose; there being in either, sweetness, and wanting in neither, majesty. For, indeed, poetry ever sets virtue so out in her best colors, making Fortune her well-waiting handmaid, that one must needs be enamored of her. In a famous quotation, Sidney asserts: Nature never set forth the earth in so rich tapestry as divers poets have done; neither with so pleasant rivers, fruitful trees, sweet-smelling flowers, nor whatsoever else may make the too-much-loved earth more lovely; her world is brazen, the poets only deliver a golden.


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A Summary and Analysis of Sir Philip Sidney’s An Apology for Poetry

sidney defence of poesy

Art is a teaching tool that is also used to delight and entertain. First Edition, Lamb, Mary Ellen. Sampson, James, and Alfred David. This is the work, this the labor. The ancient marked the quantity of each syllable, and according to that framed his verse; the modern observing only number, with some regard of the accent, the chief life of it standeth in that like sounding of the words, which we call rime.

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