A film that has left a lasting impression on me is "Robe," a 1953 epic historical drama directed by Henry Koster. The film tells the story of Marcellus Gallio, a Roman tribune who is tasked with overseeing the execution of Jesus Christ.
At the beginning of the film, Marcellus is a loyal servant of the Roman Empire, determined to carry out his duties to the best of his ability. However, as he becomes more involved in the events leading up to the execution of Jesus, Marcellus begins to have doubts about the righteousness of his actions. He is torn between his duty to Rome and his growing conviction that Jesus is innocent.
One of the things that makes "Robe" such a powerful film is its exploration of the theme of faith. Marcellus is initially a skeptic, but as he witnesses the miraculous events that surround Jesus, he begins to question his own beliefs. The film portrays the struggle to find faith in a way that is both deeply personal and universal, and it resonates with audiences of all ages and backgrounds.
Another thing that sets "Robe" apart is its stunning visual effects. The film was one of the first to be shot in CinemaScope, a widescreen process that was developed specifically for "Robe." The expansive, panoramic shots of the ancient world are breathtaking, and they serve to transport the viewer back in time to the days of the Roman Empire.
Overall, "Robe" is a timeless classic that continues to captivate audiences today. Its compelling story, powerful themes, and stunning visuals make it a film that is not to be missed.
Black Robe (film)
Diana stands with Marcellus and denounces Caligula, who condemns Diana to die alongside Marcellus. And so they doubt the fools! Retrieved November 30, 2020. It's a wonderful study of obsession and love. It's the equivalent of today's people getting into space shuttles and going off into space. Retrieved May 31, 2021. As the police arrive, Rupert sits on a chair next to the chest, Phillip begins to play the piano, and Brandon continues to drink.
. Retrieved May 7, 2020. He lifts the lid of the chest and finds the body inside. The Robe was originally announced for filming by Jeff Chandler was originally announced for the role of Demetrius. The slave Marcipor helps reunite Marcellus and Diana, who attempt to rescue Demetrius, but he is mortally wounded through torture. What those people did, going to a country where winters were far more severe than anything they had known in Europe, meeting people who were far more fierce than anyone they had ever encountered.
The film remained in Funds were raised under a co-production treaty between Canada and Australia. Koster's efforts are themselves contrived and superficial in a lot of places, and when they're not, their subtlety is somewhat blanding, although that reflects a delicacy that isn't in the overblown script, and is focused enough to orchestrate style into frequent entertainment value, and to draw biting dramatic tension and resonance through taste and a celebration of onscreen talent. On its theatrical release in 1948, Rope performed poorly at the box office. Rupert returns to the apartment a short while after everyone else has departed, pretending that he has left his cigarette case behind. He is encouraged by Brandon, who hopes Rupert will understand and even applaud them.
Behold, people, a film so epic in scale that it introduced CinemaScope, which would be awesome, you know, if this film actually won Best Cinematography, probably because the Academy Awards didn't think that such a process fit for a film like this. . Rupert seizes Brandon's gun from Phillip and insists on examining the chest over Brandon's objections. . The Wrong House: The Architecture of Alfred Hitchcock.
Historical Journal of Film, Radio and Television. Retrieved 10 February 2021. It takes unbelievable courage to do this. Momentum is sound more often than not, but when it drags, it limps, and not just under the weight of questionable pacing, for one's investment faces other challenges through all of the conventions and cheesiness which threaten the final product. I can't believe that, because when I think of an exciting, sweeping epic, I think of it being about some kind of a robe. Scott's impeccable set decoration and Charles LeMaire's and Emile Santiago's costume designs to restore the look of Ancient Rome - from its high society to simple villages - lavishly.
One has to question just how formulaic this epic Roman drama is, because the formula was still fresh by the time this film came along, establishing certain tropes that would be shamelessly slammed into by future epics of this type time and again, and yet, outside of what would go on to become conventions, this film does most of what you'd expect, with a predictable narrative, storytelling style, dialogue, and, for that matter, portrayal of Ancient Rome. In the making-of documentary, Rope Unleashed, Arthur Laurents says that Hitchcock can be seen walking down the Manhattan street immediately after the The Encyclopedia of Alfred Hitchcock, Thomas M. As they depart the audience hall for their execution, Marcellus is pitied by his forlorn father and Diana gives the robe to Marcipor. Wilson accidentally hands him David's monogrammed hat, further arousing his suspicion. There's no indication that the Romans even noticed the new cult until the expulsions of Claudius, but more securely the time of Nero a good quarter-century later. . I'm not even slightly close to being a Christian in Alabama, so maybe I'm not the person you should be listening to, but I thought that this movie was good, although it stands to be tighter, or at least fresher.
Retrieved August 14, 2016. When it comes to aesthetic and production value, this film is a triumph, almost a masterpiece, at least for its time, remaining, to this day, a marvel whose style and technical proficiency compliment entertainment value and immerse you into a distinguished world and story. He does not conceal it well and starts to drink too much. In this biblical epic, a drunk and disillusioned Roman, Marcellus Gallio Richard Burton , wins Jesus' robe in a dice game after the crucifixion. Retrieved June 8, 2017.
Fox's and Walter M. Brandon and Phillip's idea for the murder was inspired years earlier by conversations with their prep-school housemaster, publisher Rupert Cadell. In Rope Unleashed, screenwriter Arthur Laurents attributed this failure to audience uneasiness with the homosexual undertones in the relationship between the two lead characters. Now, a lot of the performances don't help a sense of melodrama, for a number of supporting performances fall flat, but the leads nevertheless deliver as best they can, whether it be Victor Mature as a struggling, but wise slave who holds passion and fury over the demise of a great man, or leading man Richard Burton as a militant man of admiration, love, and guilt, which Burton sells through an impassioned and layered performance. It may not be especially unique, even in concept, and its scripted interpretation may be a mess of contrivances and fat around the edges, but this story is a thoroughly intriguing one, which juggles epic sweep with rich intimacy as a study on the man behind Christ's crucifixion's coming to embrace the sacred man he killed through a guilt which drives him into dangerous circumstances, thus, there is a rewarding potential that would have been lost if it wasn't for Henry Koster.
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