Marianne Moore was an American modernist poet known for her precise, careful use of language and her interest in a wide range of subjects, from nature and animals to literature and culture. Born in Missouri in 1887, Moore moved to New York City as a young woman and became involved in the vibrant literary scene of the city.
Moore's poetry is characterized by its formal structure, often featuring tightly rhymed and metered verse. However, she also had a unique style that combined elements of traditional and modern poetry, making her work distinctive and hard to classify.
One of the most notable features of Moore's poetry is her use of language. She was known for her love of words and her interest in the way they could be used to convey meaning and emotion. She often employed unusual words and phrases in her poems, drawing from a wide range of sources including science, philosophy, and literature. This, combined with her precise and careful use of language, gives her poetry a sense of intellectual rigor and depth.
Another important aspect of Moore's poetry is her focus on the natural world. Many of her poems are inspired by her observations of animals and the natural environment, and she often used these subjects as a way to explore larger themes and ideas. For example, in her poem "The Fish," Moore uses the image of a fish as a way to meditate on the complexities of the natural world and the mysteries of the sea.
Moore's poetry also often reflects her interest in culture and literature. She was well-read and had a deep knowledge of literature and art, which is evident in her references to other writers and artists in her poems. In addition, she often used her poetry to comment on social and political issues of the time, such as the role of women in society and the dangers of war.
In summary, Marianne Moore was a highly respected and influential modernist poet known for her precise use of language and her interest in a wide range of subjects, including nature, animals, literature, and culture. Her poetry is characterized by its formal structure, unique style, and focus on the natural world, culture, and social and political issues.
The Fish Poem Summary and Analysis
Useful for cultivating the capacity to notice? What does it mean? In the meantime, if you demand on the one hand, 26 the raw material of poetry in 27 all its rawness and 28 that which is on the other hand 29 genuine, you are interested in poetry. GradeSaver, 14 February 2017 Web. Well, back away from the fire escape; we're here to help. In the different excuses, we are abusing the shoreline and destroying the natural habitat of innocent sea creature. And, if we have both elements present, then we'll have… "it.
Poetry Study Guide
Check out "Speaker" to learn more about her. Others have worn that same greedy look, but they have since been worn away to bones; even the fish no longer care to investigate them. The title 'Valentine ' has strong connotations with love and lust however the opening line is a contradiction to this. Do we hate "it," too? The shoreline has lost its youth and she has become its witness. Waiting for a squirrel to take one false step on that branch for your dinner? Well, it's not actually clear, but most folks assume that the person being quoted is… Marianne Moore herself. We have animals engaged in in all sorts of activities: pushing elephants, rolling horses, and a wolf doing… something, it's not clear what. She goes on, revises her statement, and adding that she does get something out of reading it.
Poetry Poem Summary and Analysis
The sea is not only the dumping site of dead creatures, but also the origin and source of life. Poetry is verse: prose is not verse. And instead of a plastic doohickey, we find something real genuine , not fake or useless. The speaker's sense of humor comes through again here. More succinctly, poets work out their craft whether their souls have been redeemed or not. When they become so derivative as to become unintelligible, 9 the same thing may be said for all of us, that we 10 do not admire what 11 we cannot understand: the bat 12 holding on upside down or in quest of something to 13eat, elephants pushing, a wild horse taking a roll, a tireless wolf under 14 a tree, the immovable critic twitching his skin like a horse that feels a flea, the base- 15 ball fan, the statistician— 16 nor is it valid 17 to discriminate against "business documents and 18school-books"; all these phenomena are important.
Poetry (by Moore) Poetry
In much of her poetry she uses sentences and fragments and words culled from a myriad of sources. So, we're all ears, speaker: what should we demand? We have to cross some more enjambment to get to the next stanza and find out what he's after. Her poems often reflect her preoccupation with the relationships between the common and the uncommon, advocate discipline in both art and life, and espouse restraint, modesty, and humor. Contributor of articles, essays, and verse to numerous magazines. Sea creatures from jellyfish to crabs live and die in the shelter of a nearby cliff whose stones have been hacked and battered by humans. And it looks like he's got company.
Poetry by Marianne Moore
They feel secure when together, but feel dead in isolation. We totally see how the imagination might produce a delicate, beautiful garden, where harsh, cold reality will toss a few toads into the mix. If we demand the raw material of poetry, in all its "rawness," and insist on the genuine, then it is clear that we are truly interested in poetry. We also tend to agree with the notion that we can't admire anything that we can't get our heads around. The question is raised in manuals of style, yet the answer to it lies beyond me.
