Pinky Bass Photography is a unique and captivating form of art that combines the beauty of nature with the technical skills of photography. Pinky Bass, the photographer behind the brand, has a deep love and respect for the natural world, and this is evident in the stunning images she creates.
Pinky Bass Photography is known for its vibrant and colorful photographs of the outdoors, particularly of flowers and plants. Pinky has a keen eye for detail and is able to capture the delicate beauty of each subject in a way that is both striking and intimate. She has a particular talent for capturing the movement and life of her subjects, whether it be the gentle swaying of flowers in the breeze or the delicate dance of a butterfly.
In addition to her nature photography, Pinky Bass is also skilled at capturing candid moments and emotions in her portraits. She has a knack for making her subjects feel comfortable and at ease, allowing her to capture their true personalities and emotions in her photographs.
One of the things that sets Pinky Bass Photography apart is the way she approaches each shoot. Rather than simply taking a snap and moving on, Pinky takes the time to really get to know her subjects and the environment she is shooting in. She immerses herself in the natural world and uses her technical skills and artistic vision to capture the magic and beauty of the moment.
Overall, Pinky Bass Photography is a stunning and unique form of art that celebrates the beauty of nature and the human spirit. Whether she is capturing the vibrant colors of a flower garden or the intimate moments of a portrait, Pinky Bass's photographs are always filled with life, emotion, and beauty.
An Analysis of Pinky Bass' Photography Works Entitled Contemplating My Internal Organs
. Her work is included in numerous collections including the High Museum Atlanta , The Philadelphia Museum of Art, and the Polaroid Collection. In 2010, the Body Notes were included in the exhibition Shoot'n Southern: Women Photographers Past and Present at the Mobile Museum of Art. In 1997, Bass was included among several notable artists on the list of Georgia Women in the Visual Arts by the Georgia Commission on Women. In these works, Bass sews internal organs onto nude images of herself. In December 1991, the women won a joint artist-in-residence position at the Headlands Center for the Arts in Sausalito, California, where they intended to produce work that was a true collaboration melding their mediums and styles.
After she expressed boredom with regular photography, her major professor suggested that she try pinhole cameras. Bass has recently introduced eco-printing to her process of making and is exploring how to combine eco-dyeing with photographic images. Bass has had over 40 one-person shows and participated in numerous group exhibitions throughout the U. Other Alabama artists included Bass's sister's cancer diagnosis and subsequent death piqued her interest in exploring human biology, and she shifted her work to combining thread and photography in multimedia compositions. In Abiquiu In 1986, Bass participated in the University of Georgia's Study Abroad Program in Cortona, Italy. Returning to a focus on her own work, in 1993 Bass organized and directed a six-month residency for some 17 friends and artists in Oaxaca, Mexico.
Bass attended Agnes Scott College in Decatur, Georgia, and majored in Bible, although she always enjoyed the creative arts. She is featured in Coat of Many Colors produced by Alabama Public Television. Two of their four children were born there. These simple devices, lacking mirrors and ground glass lenses, are created out of virtually anything that can be made lightproof. She was attracted to pinhole photography largely because of the lack of control and the surprises it produced.
College, GA; Rechenbach Gallery, Knoxville, TN; Brunswick Jr. Her work is included in numerous collections, including the High Museum Atlanta , The Philadelphia Museum of Art, and the Polaroid Collection. Newly single and with grown children, Bass decided to pursue her interest in art. The couple served a number of churches in Georgia as well as a five-year term as missionaries in Mexico City. Bass's performance piece Pentagram of Loss premiered at that time.
This exhibit traveled to museums throughout Alabama in 2001. Renner, 1995 Pinhole Journal, various volumns 1987-2003 Shots 27, 1991; 21, 1990; 50, 1995 Photonews, Zeitung Fur Photographie, No. Petersburg, FL 1992 Workshop, The Human Form in Nature, Light Factory, Charlotte, NC Collaboration Panel, Society for Photographic Education, Beaufort, NC Interview, WALA-TV News, Mobile, AL 1991 Pinhole Camera, Scitrek Atlanta Museum of Science and Tech. Her exploration in photography has always aimed at revealing the edges of the mystery of aging, life, and death. They often collaborated, each inspiring the other's evolution as artists. The following year, the work they produced during the residency was part of a joint exhibition at The Light Factory in Charlotte, North Carolina, entitled ERDA: The Birth of New Forms.
Pentagram of Loss, 2008: Polaroid Book, Taschen, 2005 Book of Alternative Photographic Processes, C. Her work is held in numerous corporate and museum collections, including the High Museum in Atlanta, Georgia, the Philadelphia Museum of Art, the Mint Museum in Charlotte, North Carolina, and the Polaroid Corporation in Cambridge, Massachusetts. They produced two other series while there: Clay Bodies, combining photo emulsion and Couch's clay base, and a group of color photographs entitled Foreshadowed Faces that overlaid Couch's face with natural forms. She entered graduate school at Georgia State University, where she discovered photography and earned a master of fine arts in that field. They divorced in the mid-80s. She has had over 40 one and two-person shows and participated in numerous group exhibitions throughout the US as well as in Mexico, Italy, Germany, Macedonia, and Canada.
Additional Resources Givens, Joshua. She has had artist residencies in Oregon, California, New York, North Carolina, Mexico, Macedonia, and Italy. In 1990, the two women were awarded a joint artist residency at the Appalachian Environmental Center in Highlands, North Carolina. They lived there for three months in the summer of 1992 and then spent three more months at the Penland School of Crafts in the mountains of western North Carolina, continuing to work on their collaborative art project, a mixed-media installation entitled Collaboration Emerging. Her work can be found in publications including The Polaroid Book, the Pinhole Journal, and Book of Alternative Photographic Processes. In 2000, she was one of 12 Alabama women selected to participate in the exhibit Voices Rising: Alabama Women at the Millennium at the National Museum of Women in the Arts. She works primarily with the human figure and nature in black and white compositions.
Pinky married Presbyterian minister, John Richard Bass, from Vidalia, Georgia, shortly after her graduation in 1958. Simons Island 1977-1979 Parables of Life, Waycross Jr. There she met artist-in residence and sculptor Clara "Kitty" Couch from Charlotte, North Carolina, and the two traveled frequently together to the American West and to Mexico. January 20, 1936, Pittsburgh, PA BA Degree Agnes Scott College, 1958 MFA in Photography Georgia State University, 1988 Studio Fairhope, AL Bio Returning to college for an MFA in painting and drawing at age 50, Bass discovered her true voice in photography through installation, mixed media, and performance figure prominently in her current work. . .