Paris opera house architecture. Palais Garnier Opera House, Paris 2022-10-20
Paris opera house architecture Rating:
6,4/10
635
reviews
The Paris Opera House, also known as the Palais Garnier, is a masterpiece of French architecture and a symbol of Parisian culture. Located in the 9th arrondissement of Paris, the Opera House was designed by Charles Garnier and completed in 1875.
The exterior of the Opera House is characterized by its grand neoclassical style, with a facade adorned with Corinthian columns, bas-reliefs, and sculptures. The central entrance is framed by two pairs of Corinthian columns, which support a triangular pediment adorned with sculptures of Apollo and the muses. The main entrance is flanked by two wings, each featuring a series of arched windows and sculpted figures representing the arts and sciences.
The interior of the Opera House is no less impressive than the exterior. The grand lobby, known as the "Grand Foyer," is a two-story, oval-shaped space adorned with marble, gold leaf, and frescoes. The grand staircase, which leads to the upper levels of the Opera House, is a masterpiece of sculptural and architectural design, with bronze railings, marble staircases, and frescoes by Paul Baudry.
One of the most impressive features of the Opera House is its auditorium, known as the "Salle Garnier." The auditorium is a rectangular space with seating for over 2,000 people, and it is decorated with marble, gold leaf, and frescoes by Baudry and other artists. The ceiling of the auditorium features a massive fresco by Marc Chagall, depicting the constellations and zodiac signs. The auditorium is also home to a grand organ, which is used for concerts and performances.
In addition to its impressive architecture, the Paris Opera House is also notable for its history and cultural significance. It has played host to many of the world's most famous opera singers and has been the site of numerous world premieres, including Verdi's "Aida" and Bizet's "Carmen." It is also a popular tourist destination, with guided tours available for visitors who want to learn more about the history and architecture of this iconic building.
In conclusion, the Paris Opera House is a stunning example of French architecture and a symbol of Parisian culture. Its grand neoclassical exterior and lavish interior make it a true architectural masterpiece, and its history and cultural significance make it a must-see destination for anyone interested in the arts.
Inside Palais Garnier
In 1941, Strauss's Die Fledermaus was performed in German for German officers during the Nazi occupation of Paris. The building was designed in the Beaux-Arts style, which emphasizes symmetry and ornamentation. Atop each of the twenty columns between the ten doors, separating the medallions, are sculptured figures personifying The Qualities Required by Artists. Instead of the expensive and time consuming process of gold leaf decorating thin sheets of gold applied with a brush , he used gilded metals. Garnier stipulated that the groups be a triad composed around a central axis, a specification followed with precision in the groups of idealized figures by Eugène Guillaume, François Jouffroy and Jean-Joseph Perraud.
Lloyd Webber was also responsible for a 2004 film adaptation of his musical. The façade of the Opera used seventeen different kinds of material, arranged in very elaborate multicolored marble friezes, columns, and lavish statuary, many of which portray deities of Greek mythology. There is a lake under Palais Garnier; the story begins when the construction was constantly suspended because of the wet, swampy site. He was a precocious student and disliked the constraints imposed by the yearly envois. The electricity was updated once again, and the foundation was strengthened. Many famous artists painted the ceiling of the Grand Foyer. Auditorium and Chandelier With space to accommodate 1,979 patrons and 450 performers, the Opera Garnier remains one of the largest opera houses in Europe nearly 150 years after its completion.
Isidore-Alexandre Pils, ceiling of the Grand Staircase, 1869-74. After the fall of the Empire, the premises were never completed: in the staircase leading to the temporary exhibition hall, remain the massive stone blocks dating from 1870. They are spread over several floors, their windows opening onto interior courtyards, onto Place Diaghilev and back onto Rue Scribe and Rue Gluck, up to the two pavilions housing the library and the Rotunda du Glacier. The lovely Muses, influenced by the Sibyls and Prophets of Michelangelo, make us grateful that he was willing to relinquish his plan and turn the space over to Baudry. Many of the alcoves in the Grand Foyer feature sculptures of nymphs and Greek gods.
Architecture of the Garnier Palace, National Opera of Paris, France
The canvas house curtain was painted to represent a draped curtain, complete with tassels and braid. These are surrounded by a cove containing twenty irregularly shaped panels, nine on the sides and one on each end. Over the vaults of the Salon de la Lune and the Salon du Soleil dominate, in one, the cold tones of silver, with representations of night birds owls and bats and, in the other, the warm tones of gold, in the middle of a decor of salamanders. Oxford: Oxford University Press. They excited great public interest and universal acclaim. The new ceiling evokes, in five brightly colored parts, the major milestones and works representative of the history of the arts of opera and dance as well as fourteen outstanding composers of the lyrical and choreographic arts of the repertoire. From depicting the waning days of history to giving a twist to the classic Shakespeare tale to the portrayal of satirical dramas, the range of shows displayed at Opera Garnier and Opera Bastille is beyond your imagination.
Back in Paris, he began working on the two large end panels, Parnassus and The Civilizing Poets. Small circular salons acted as entrance vestibules connecting the Glacier and Fumoir to the Forward Foyer. Construction began in 1862. The artistic end was the impression the architectural ensemble made on the hearts and minds of the cultured audience for whom it was created. Large vestibule The steps and the gallery of the main entrance lead the spectators to a first barrel-vaulted vestibule.