Explain the function of music in twelfth night. Discuss the function of disguise in the play Twelfth Night. 2022-10-22
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In Twelfth Night, music plays a prominent role, serving a variety of functions throughout the play. One of the primary functions of music in Twelfth Night is to set the mood and tone of a scene or to reflect the emotions of the characters. For example, the song "O mistress mine, where are you roaming?" sung by Feste the fool, reflects the sadness and longing of Orsino, the Duke of Illyria, as he pines for the love of Olivia, who has rejected his advances. Similarly, the song "The wind and the rain" sung by Feste reflects the chaos and confusion of the characters' love lives, as they are all entangled in a web of mistaken identities and unrequited love.
Another function of music in Twelfth Night is to provide a source of entertainment and delight for the characters and the audience. Many of the songs in the play, such as "Come away, come away, death" and "O, the twelfth day of December," are light-hearted and comedic, adding a touch of levity to the otherwise serious and dramatic events of the play. Music also serves as a way for the characters to express themselves and to reveal their inner thoughts and feelings. For example, the song "Hey, Robin, jolly Robin" sung by Maria and the other servants reflects their mischievous and playful nature, while the song "O, mistress mine" sung by Feste reveals the deep feelings of love and loss experienced by the characters.
In addition to these functions, music in Twelfth Night also serves as a means of commentary and satire. Feste, in particular, uses his songs to comment on the foolishness and absurdity of the characters' actions and to mock their pretensions and vanity. His song "The rain it raineth every day" serves as a commentary on the constant changes and fluctuations in the characters' emotions and relationships, and his song "O, you are sick of self-love, Malvolio" satirizes the conceited and self-important nature of the character Malvolio.
Overall, the function of music in Twelfth Night is multifaceted, serving to set the mood, provide entertainment, and offer commentary and satire. Its presence adds depth and complexity to the play, and helps to illustrate the emotional states and inner thoughts of the characters.
What is the functions of music?
The particularly romantic lines of the play make it seem as if the characters are professional poets themselves. It turns to be quite important, especially in his comedies. Feste is officially the Clown in the play though he is sometimes referred to also Theme Of Music In Twelfth Night Music during Shakespeare time was essentially used in plays in order to create a certain atmosphere and mood for characters. The way that Orsino poetically speaks to Cesario, gives the audience a hint that Orsino is already starting to have feelings for Cesario that would develop into more if he knew that Cesario is actually Viola. These characters- Orsino and Olivia, Feste and Viola, and Viola and Olivia- help emphasize the thematic issues of the play through this parallelism, many of which revolve around love and the characters' identity issues. His references to knavery, thievery and drunkenness also ties directly to the events which takes place within the Twelfth Night Twelfth Night "Twelfth Night is a comedy of light and shade.
A Short Analysis of Orsino’s ‘If Music Be the Food of Love, Play On’ Speech
However there are implications… Twelfth Night: Interpretations Through the Directors Staging For hundreds of years people from all over the world have seen the works of William Shakespeare performed by thousands of actors. This play is considered a comedy and the opening scene establishes that well with the music, wordplay, and Orsino's discussion of love. Whilst duty and the real world gets the last word, it is a refreshed reality into which we enter. Only in this presentation of herself as a male would she be able to carry through her plans of serving the duke. The play is about twins that get separated.
Discuss the Importance of songs and music in Twelfth Night Essay
Shakespeare wrote the critically acclaimed Twelfth Night in 1601 during the middle of his career. The duke affirms that he is hunting, but for heart instead of hart. Maria and Feste are like a comedy duo participating in quick, witty, and comedic exchanges. Mistaken Identity in Twelfth Night Shakespeare is wont to employ the tool of mistaken identity in his plays. Oxford: Oxford University Press. The song links to love and death which affects both Orsino and Viola. This type of pot allows Shakespeare to introduce lots of different types of love to create drama and perhaps even humor at times.
In this scene, Orsino also is associated with the senses. Even to the point of confusing people who had already seen the actual Sebastian. This, according to Barton 1972, pg 164 adds to the realism of Twelfth Night whilst keeping true to the conventional social viewpoint of a comedy. Through this choice of poetic form, Shakespeare sets the framework for his ideas about love during the prologue and therefore during the play. Moreover, throughout the play, happiness is more or less equated to the state of being in love and being loved in return. Certainly one can empathise more with the fool without necessarily pitying him and perhaps even seeing him as a bridge between Illyria and the everyday world but there is still not the sense of belonging that the audience has with, for example, Sir Toby.
They help to create the festive atmosphere of the play. Music and songs have special implications in the play Twelfth Night. Add identical twins that are less than identical, the boisterous mood created by music, and the pranks mentioned above and all the elements of a farce are there to see. Shakespeare presents love in various ways; since love is complex, there are many forms of it: sexual, platonic, medieval courtly, familial, romantic and destructive love. It reveals that Shakespeare has presented on stage a romantic comedy which is not detached from our everyday reality.
Rosalind, as Ganymede, also helps Silvius, a shepherd, pursue his love for a local countrywoman, Phebe. Music is beautiful because of the complex manner in which vibrating air molecules are produced, transmitted, detected, and perceived by human beings. In Act iv, scene 2, the song "Ah Robin" mourns unrequited love, and the lyrics also emphasize that a woman's love is not long-lasting: it is "but a blast. Olivia has vowed to shut herself away from society for seven years as a result of these deaths. A change in costume not only served to feed the fuel of mistaken identity but also allowed its resolution. It is thus clearly highlighted in twelfth night that music is one of the prime dramatic elements used throughout the play, from the beginning to the end.
Lesson Summary In the first scene of Twelfth Night, we hear that Orsino, a duke, is head over heels in love with a woman named Olivia, whom he has not actually met. Instead of falling in love with Orsino, Olivia falls in love with Cesario. This characterization is similar to Romeo and Juliet in Romeo and Juliet, where Romeo is a hopeless romantic, making over-the-top speeches and declarations of love and falling in love first with Rosaline and then Juliet just based on sight. We are merry because our time on this earth is short. As observed in the said play, there are several points in the play where the music proved to be one of the most prevalent themes and forms of medium upon which the theme was delivered.
This feeling is heightened during the final confrontation when Shakespeare suddenly changes from prose to verse to link with Sebastian arriving with a solution to rush on with the happy ending. Viola is in disguise as a man to work for Duke Orsino. Riemann described three abstract functions: the tonic, the dominant its upper fifth , and the subdominant its lower fifth. Importance of songs and music in Twelfth Night Importance of songs and music in Twelfth Night Read more from 3rd Year Role of music and songs in twelfth night The play abounds in many fragments of songs, which proceed from the Clown. The best example of wordplay is when Curio asks the duke if he will hunt hart, which is a play on the homophones hart and heart, words that sound the same but have different spellings and meanings.