The short story "Button, Button" by Richard Matheson tells the tale of a married couple, Norma and Arthur Lewis, who are offered a mysterious black button by a stranger named Mr. Steward. The button is said to be a "two-edged sword," as pressing it will grant the couple one million dollars, but in return, someone they do not know will die.
The story is rife with irony, both situational and verbal. Situational irony occurs when the opposite of what is expected happens. For example, the couple is initially excited at the prospect of receiving a large sum of money, but as they contemplate pressing the button, they become increasingly distressed at the thought of causing someone's death. This is ironic because they were initially greedy and eager for the money, but as they consider the consequences of their actions, they become more moral and hesitant to follow through with the deal.
Verbal irony, on the other hand, occurs when words are used to convey a meaning that is opposite to their literal meaning. In the story, Mr. Steward tells the couple that the button is a "gift," but it is clear that it is anything but a gift, as it carries such a heavy moral burden. This ironic use of language highlights the twisted and manipulative nature of Mr. Steward, as he presents the button as a generous offering while knowing full well the terrible consequences it brings.
Another example of verbal irony in the story is when Norma tells Arthur, "We can't let a million dollars pass us by." This statement is ironic because, as the story progresses, it becomes clear that the couple is not willing to sacrifice a human life for the money. They ultimately decide not to press the button, showing that they value morality over material wealth.
In conclusion, "Button, Button" is a masterfully written short story that employs both situational and verbal irony to great effect. The irony serves to heighten the tension and moral dilemma faced by the main characters, and ultimately helps to drive the story's themes of greed, morality, and the consequences of one's actions.
