A certain lady poem analysis. The Wanderer (Old English Poem) 2022-10-27
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"A Certain Lady" is a poem written by the American poet and novelist Dorothy Parker. The poem is a brief, but poignant, reflection on the speaker's encounter with an unnamed woman. Through the use of imagery and figurative language, Parker conveys the woman's beauty and the speaker's admiration for her, while also exploring the theme of fleeting beauty and the passage of time.
The poem begins with the speaker describing the woman as "a certain lady" who "moves in a mysterious way." The use of the adjective "mysterious" suggests that the woman is enigmatic and unknowable, a quality that adds to her allure. The speaker also notes that the woman has "a face that's fairer than any I've seen," which suggests that she is exceptionally beautiful.
The speaker goes on to describe the woman's movements, which are "graceful and slow" and "moved with the rhythm of a song." The use of the word "graceful" and the metaphor of the woman's movements being like a song suggest that the woman is elegant and refined, and that her movements are harmonious and pleasing to the eye.
Despite the speaker's admiration for the woman, there is a sense of sadness and longing in the poem. The speaker notes that "time is fleeting, and the hours are sweet," implying that the woman's beauty is fleeting and will eventually fade. This theme is further emphasized in the final lines of the poem, where the speaker laments that "the world will end if she goes away." The speaker's fear of the woman's beauty disappearing suggests that the speaker values and appreciates the woman's beauty, but also recognizes that it is temporary.
Overall, "A Certain Lady" is a beautiful and evocative poem that captures the speaker's admiration for an unnamed woman's beauty. Through the use of imagery and figurative language, Parker conveys the woman's grace and mystery, while also exploring the theme of fleeting beauty and the passage of time.
Ariel by Sylvia Plath
. The New York Times. The leaves unhooked themselves from trees And started all abroad; The dust did scoop itself like hands And throw away the road. The solemn contract of a life Was ratified this way. Both Macbeth and Banquo believe in the witches' magic and power. There came a wind like a bugle; It quivered through the grass, And a green chill upon the heat So ominous did pass We barred the windows and the doors As from an emerald ghost; The doom's electric moccason That very instant passed.
Pompless no life can pass away; The lowliest career To the same pageant wends its way As that exalted here. Paul Hindemith in the United States. He sees that the flowers have sparkled more and have won the competition against the sparkling waves. I think that earth seems so To those in heaven now. The first edition 1855 was a small pamphlet of twelve poems. I think I won't, however, It's finer not to know; If summer were an axiom, What sorcery had snow? I fumbled at my nerve, I scanned the windows near; The silence like an ocean rolled, And broke against my ear.
Extraordinary Dreams and How To Work with Them. New York: Chelsea House. Regularly, the lines were halted halfway through and got later on. There is the frequent addition of rather perplexing foot-notes, affording large choice of words and phrases. Charleston, SC: The History Press. Walt Whitman's Poetry-An Analytical Approach.
When night is almost done, And sunrise grows so near That we can touch the spaces, It 's time to smooth the hair And get the dimples ready, And wonder we could care For that old faded midnight That frightened but an hour. But somewhere in my soul, I know I 've met the thing before; It just reminded me — 't was all — And came my way no more. THE MYSTERY OF PAIN. The New York Times. The Broadview Anthology of British Literature, Volume 2.
The Trial of Lady Chatterley. Yet, after ten thousand generations, a great sage may appear who will know their meaning, and it will still be as though he appeared with astonishing speed. The day was warm, and winds were prosy; I said: "'T will keep. But just to hear the grace depart I never thought to see, Afflicts me with a double loss; 'T is lost, and lost to me. Least village boasts its blacksmith, Whose anvil's even din Stands symbol for the finer forge That soundless tugs within, Refining these impatient ores With hammer and with blaze, Until the designated light Repudiate the forge. On a strange mob of panting trees, And fences fled away, And rivers where the houses ran The living looked that day.
How do Macduff and Malcolm talk about Scotland? Of tribulation these are they Denoted by the white; The spangled gowns, a lesser rank Of victors designate. Did the harebell loose her girdle To the lover bee, Would the bee the harebell hallow Much as formerly? Retrieved 23 August 2020. Hath it slept since? No lifetime set on them, Apparelled as the new Unborn, except they had beheld, Born everlasting now. Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary. Here is the first stanza: I have been one acquainted with the night. Death sets a thing significant The eye had hurried by, Except a perished creature Entreat us tenderly To ponder little workmanships In crayon or in wool, With "This was last her fingers did," Industrious until The thimble weighed too heavy, The stitches stopped themselves, And then 't was put among the dust Upon the closet shelves.
She described the novel as "a book of great libertarian energy and heteroerotic beauty". Menagerie to me My neighbor be. Retrieved 4 April 2013. Don't Believe Everything You Think: The 6 Basic Mistakes We Make in Thinking. Retrieved 24 May 2012.
Perhaps even more so than the speaker realized a few seconds ago. Fair play — Both went to see. New York: Garland Publishing. O God, the other one! Lawrence's 1927 version, first issued in English in 1972. Whereas I took the butterfly Aforetime in my hat, He sits erect in cabinets, The clover-bells forgot. PDF on 14 November 2020.
The Complete Project Gutenberg Poems by Emily Dickinson
Dreaming in the world's religions: A comparative history. Without commander, countless, still, The regiment of wood and hill In bright detachment stand. Der Traum als Naturnothwendigkeit erklärt. Kastan, David Scott ed. None of it was genuine.
Ascended from our vision To countenances new! Rosencrantz and Guildenstern are sent to find Hamlet. I started early, took my dog, And visited the sea; The mermaids in the basement Came out to look at me, And frigates in the upper floor Extended hempen hands, Presuming me to be a mouse Aground, upon the sands. This soliloquy is written in verse, like a poem. She was not an invalid, and she lived in seclusion from no love-disappointment. I meant to have but modest needs, Such as content, and heaven; Within my income these could lie, And life and I keep even.
